More about Hollywood and the British:
Mel Gibson's'Patriot' will be the bracingly anti-British story of an American general in the War of Independence, Francis Marion, who fights a brilliant guerilla war against the evil British invaders. When the movie's historians discovered that in real life Marion raped his slaves and hunted Red Indians for sport they changed his name to Benjamin Martin. Yet one thing stayed the same; the movies' 'baddies' are, as usual, the treacherous, cowardly, evil, sadistic Brits.
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Yet there is a point where the incessant bad-mouthing has to stop, and for many people that point was reached in the mid-Nineties when historical accuracy was stretched so far that movies actually attempted to explain away anti-British terrorism and helped the propaganda efforts of organisations such as the IRA. The glamorisation of violence is bad enough but in several recent films the assassination of serving British officials was actively justified by horrific distortion of the historical truth.
The 1996 biopic 'Michael Collins', for example, posing as a true story, simply invented scenes in which British troops machine gunned perfectly innocent Irish sports spectators, portrayed a car bomb decades before such a weapon was invented and showed the torture and murder by the British in 1922 of an informer who in fact died peacefully in his bed in 1972. When the Irish director, Neil Jordan, himself a history graduate, was told that Irish historians had pinpointed these falsifications and many more, he simply answered; 'Well, f..k them'.
Another such movie, 'Some Mother's Son', about Bobby Sands and the IRA hunger-strikers and starring Helen Mirren, was written and directed by Terry George. American audiences were not told that Mr George, far from being an objective witness to the events of 1981, had in fact served three years in prison in Northern Ireland for possession of a gun with intent to endanger life. When it was screened at the prestigious Hamptons Film Festival in 1996 these were some of the remarks made afterwards by ordinary Americans leaving the cinema: 'Those bloody British. I do hate them a lot.' 'God, I hate Thatcher.' 'The way they speak, the way they act - I hate the British'.
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